Carmen Callil

BOTP worked for Callil in the last century. She was a force of nature and proof that Australia will amount to nothing until the country understands these are the people that were needed to build some semblance of civilization instead of a world of she’ll be right mate, VIP rooms, tradies and the like.


In the same year she left for Europe, and, after a period in Italy, settled in London in 1964. She worked for Marks & Spencer as a buying assistant, then, after placing an advertisement in The Times (“Australian, B.A. wants job in book publishing”), began work at Hutchinson in 1965.

From 1967 to 1970, she was publicity manager of the paperback imprint Panther Books. An example of her work was when Callil lobbied BBC producer Lorna Pegram to employ B. S. Johnson to talk about his 1969 book The Unfortunates for the TV series Release. Johnson’s book had eight parts that could be read in many different orders. With barely any negotiation, the interview was ready months before the book was ready for publication. The film included Johnson holding a mock-up of the book that was not at all similar to the final publication.



Callil later took responsibility for all imprints of Granada Publishing, and then at Anthony Blond and André Deutsch. She left to work for Ink, a countercultural newspaper founded by Richard Neville, Andrew Fisher, Felix Dennis and Ed Victor in 1971. Ink was an offshoot of Oz and was intended to be a bridge between the underground press of the 1960s and the national newspapers of that time. Launched in May 1971, it collapsed in February 1972, following the Oz obscenity trial.



At Ink, Callil met Marsha Rowe and Rosie Boycott, who founded the feminist magazine Spare Rib in June 1972. In 1973,[Callil founded Virago Press (initially known as Spare Rib Books), to “publish books which celebrated women and women’s lives, and which would, by so doing, spread the message of women’s liberation to the whole population”, through the work of new and neglected women writers. Rowe and Boycott became directors of Virago in its first years.



Also in 1972, Callil launched a book publicity company, Carmen Callil Limited. Harriet Spicer became Callil’s assistant. This company, run by Spicer and Callil, helped to finance Virago in its early years, together with Callil’s inheritance from her grandfather. Further assistance came from Quartet Books, with whom the first nine Virago titles were published. Ursula Owen became a part-time editor in 1974, before becoming a full-time director later that year, with considerable responsibility for the content of the Virago publishing list. In 1976, Virago became an independent company, with Callil, Owen and Spicer as directors, shortly to be joined by Lennie Goodings and Alexandra Pringle.



In 1982, Callil was appointed managing director of Chatto & Windus (which had acquired Virago), where she remained until 1994, continuing also as chairman of Virago until 1995. In 1994, she was Editor-At-Large for the worldwide group of Random House publishing companies. At Virago, among other business and editorial aspects of the company she was responsible for the creation and development of the Virago Modern Classics list (choosing a distinctive green colour for the books’ spines), which brought back into print many hundreds of the best women’s works of the past.



Callil left book publishing in 1994, and for some years divided her time between London and Caunes-Minervois in France. As a writer and critic, she has contributed reviews and features to many newspapers and journals, in addition to undertaking occasional radio and television work. From 1985 to 1991, she was a member of the Board of Channel 4 Television.

In 1996, Callil chaired the Booker Prize for Fiction panel of judges, which included Jonathan CoeIan JackA. L. Kennedy and A. N. Wilson. She was a judge for the 2011 Man Booker International Prize but resigned in protest after her co-judges Rick Gekoski and Justin Cartwright chose Philip Roth as the winner.



Callil’s 2006 book, Bad Faith: A Forgotten History of Family & Fatherland, told the story of Dr Anne Darquier, for seven years Callil’s psychiatrist until her suicide in 1970, after which came “the shocking revelation that her father had been Louis Darquier de PellepoixCommissioner for Jewish Affairs in Vichy France and known as the French Eichmann.”Callil’s book well reviewed and shortlisted for the Samuel Johnson Prize,having involved extensive research carried out on several continents, as Callil “set herself the task of dealing out retroactive justice, not only for Darquier’s heinous actions as a Nazi collaborator, but also for the dark, immovable shadow he cast over his daughter’s life.”



In 2010, Callil was elected a fellow of the Royal Society of Literature (RSL).In 2017, she was awarded the RSL’s Benson Medal for exceptional contribution to literature, alongside Mary-Kay Wilmers and Margaret Busby In 2018, Callil featured in the exhibition Rights for Women: London’s Pioneers in their Own Words, staged at Senate House LibraryUniversity of London.

In her 2020 book,Oh Happy Day: Those Times and These Times, Callil “traced the turbulent history of her British ancestors from impoverished working class to deportation to Australia for petty crimes.” As The Herald’s reviewer acknowledges: “In research terms, Oh Happy Day is a phenomenal achievement. Callil … has dug deep into books, newspapers, historical archives, parish records and court documents to provide a meticulous account not only of the lives of her relatives who were ‘busy insects of the yearly industrial revolution’, but also of the broader historical context.”[31] Peter Conrad‘s review in The Observer concluded: “In its often tearful compassion, its eloquent rage and its vengeful delight in proletarian snook-cocking, Oh Happy Day deserves to be called Dickensian.”

Dame Carmen Callil obituary